The world of animation has lost one of its most distinctive voices, as British animator, screenwriter, and director Phil Muloy died on 10 July 2025 at the age of 76. Known for his satirical inflammatory style and dark comic stories, Muloy’s work detected the dark aspect of human nature, politics, religion and social values. His unique contribution to animation earned him a permanent heritage in the world of international praise and independent film.
What happened
Phil Muloy died peacefully on 10 July 2025 after a fight with cancer. His death was confirmed by his wife, filmmaker Vera Newbire via social media. Muloy’s influence on animation, especially in short-form films, has made a profound impact on the industry, his work is being widely praised for his boldness, humor and ability to challenge social norms.
Early life and career
Born on 29 August 1948, Cheshire, England on August 29, 1948, the artistic journey of Muloy began at an early age. He studied painting at Rewensborne College and later chased the film at the Royal College of Art, graduated in 1973. His initial career in live-action film production gave way to animation in the 1980s, where he will be associated with his signature style-loving, skeletal figures and minimalist background with dark humor.
Muloy’s success in the world of animation came up with its work for MTV in the 1980s and 1990s, creating iconic identities, including the famous “boxer to lovers” animation. His specific approach to animation soon attracted global attention, leading to his groundbreaking projects such as the “Cowboys” Series (1991), “The Ten Commandments” (1994–1996), and leading for the manufacture of “The Chenn” (1998), all of which won many awards and made their place solid to the world of experimental animation.
Inheritance and artistic contribution
Muloy’s work often blurred the lines between animation and social comments, using satire, which addressed serious subjects with satire and humor. His “Cowboys” series, which declared the Western Trops, and the “The Ten Commandments” series, which explained the Bible law through a grotesk lens, is one of his most notable functions. His ability to combine humor with darkness, often controversial themes made him a leading person in animation.
In 1998, Muloy’s contribution to the human rights animation came up with “The Chen”, which was part of the ’30/30 ‘human rights animation project. The film, which won many awards, focused on serious consequences of child’s misuse, strengthened Muloy’s reputation as an artist, who was oblivious to dealing with sensitive and difficult subjects.
personal life
Muloy was married to filmmaker Vera Nubawar, and together she raised two children- Daniel Muloy, a director and screenwriter, and Lucy Muloy, a student Academy Award-Namine Director. His family and colleagues remember him as a visionary who was deeply dedicated to his craft, constantly discovering new techniques and ideas in animation.
Final work and impact
Muloy continued to work on his Christie Family Trillji, with the last part, Pain and kindnessWas released in 2013. His subsequent works, including Endgeame ,
Despite facing health challenges, Muloy remained an important person in the independent animation community, mentioning young animators and shared his huge knowledge and experience. Their legacy is one of an ineffective desire to address the dark side of humanity with creative boldness, innovation and humor and insight.
Closing: A true leader of animation
Phil Muloy’s passing marks the end of an era in experimental animation. His work will continue to inspire animators, filmmakers and artists for generations to come. His contribution to both art and animation culture has left an indelible mark on the industry.
Rest in Peace, Phil. Your work, intellect, and legacy will be in many lives you touched and the art you have created.